Pro Tools is great for recording multiple different tracks of audio at the same time with live inserts that you can later remove/edit if they do not suit the track. It always makes a backup of any file you copy in which is essential when working with original copies of files for clients, and you can rest easy knowing that any changes made can be reverted without having to start over or having any work be lost. You can compile many different tracks for larger-scale projects and group or bus them together with ease. The software is very user-friendly for beginners and is a great tool overall for anyone looking to edit audio. The only instance it is less suited it would be if you're only making small audio edits with any adobe video software. Also if your business is not heavy on audio editing or recording it may be a costly investment.
It is simply easy to use and serves the function that it needs to serve. Once you get the hang of the basic functionality and a few of the keyboard shortcuts, it will be extremely easy and quick to write out music. The option to go back and transpose to another key without writing the whole thing out again is crucial.
Integration with UAD - I have used Pro Tools with a number of UAD devices over the years and it always integrates perfectly, and saves CPU resources by offloading effects processing to dedicated Digital Signal Processing (DSP) chips on external hardware. Plus, UAD effects sound great!
Multitrack Recording and Arrangement of Music - This is really the big one for Pro Tools. It's for recording and arranging, and that's really its focus.
Import and Export - Pro Tools is great for its ability to import and export multitrack files in a way that mimics traditional analog multitrack recording.
It’s very easy to use it on a basic level. There is a learning curve for advanced stuff, but if you have a need to learn the advanced features and shortcuts then it’s not too hard. Plus, you’re probably using it to make money then anyway, so it all works out
The times I've had problems with Avid, they've responded within about 48 hours, and most of the time with a reasonable solution. More often than not, however, I've had to resort to forums to get answers, because when I'm having a problem with the software, I can't afford to wait 48 hours for a solution
Once Sibelius is purchased, the user is given one year of unlimited free customer service to help in using the product. After that first year, users can either pay to utilize customer service with questions or use online helps, which are very helpful. One of the bigger issues I had was getting the sounds to work properly because my Internet connection wasn't consistently working well enough to accommodate the large files, which were taking up to 10 hours to download. The download would fail, and then I'd have to start over. I wanted to get a CD sent to me but was told this would be very costly, and so I declined. I wasn't happy with the lack of customer service in that situation but was eventually able to get the files to download and the software working properly.
I like Apple Logic Pro. For certain things. The user interface is relatively simple and it can be quick and easy to get a project going. There are also certain features in Logic that don't yet exist in Avid's Pro Tools. But for most things I find it more cumbersome and less intuitive than Avid Pro Tools. This might be because I worked my way through the industry using Avid Pro Tools vs. Logic. But Knowing both of them, I still think Avid Pro Tools is the better of the two options.
I have not used Finale exclusively, but I know friends/colleagues who have. In the past, it was complicated to transfer and edit any of the music they created for me because it would not transfer to Sibelius. As a result, I would have to request the edits I wanted and ask them to make the changes themselves. If I wanted to make any changes later, it was extremely inconvenient to do so, and I often chose not to, as I did not want to bother anyone other than myself to do any edits after-the-fact. Though it is now possible to transfer Finale files to Sibelius through creating .xml files and then importing as .sib files, the files still do not entirely retain all of the integrity of the original composition (as completed in Finale). Sometimes text and markings are missing, microscopic, or shifted once opened in Sibelius. Text fonts must often be edited. When working with other major music publishers, it has been extremely convenient and helpful to have the same software.
POSITIVE: Even with the 2022 Price Increase ($299/yr) - One billable hour more than covers my software expense. I could drop Slate and Waves and still have all the tools I need to continue producing.
POSITIVE: "PRO TOOLS POWERED" carries more industry weight than "Reaper Powered" or "We Use Logic."
NEGATIVE: I am continually tempted to upgrade my hardware to take full advantage of Pro Tools including Atmos, etc.
